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Susan Tallman has been writing about art and artists in The New York Review since 2019—on Vija Celmins, Gerhard Richter (“the poet of uncertainty”), the history of craft, Philip Guston, Hilma af Klint (“there are lots of snails”), Jasper Johns, and the “compositional aplomb” of Kerry James Marshall, among other subjects. In the May 11 […]
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