A Woman’s Persuasion follows a young heiress as she breaks away from her father’s expectations, seeking true love and independence amidst the challenges of family dynamics and societal norms. What was the inspiration for the setup of your story?

This book is a careful chapter-by-chapter modern translation of Jane Austen’s Persuasion. I was sitting in a lecture at a conference for the Jane Austen Society of North America, listening to the speaker and audience members talk about adaptions, and how many different adaptations there are for Pride and Prejudice. Someone said that Persuasion doesn’t get adapted much, because it just isn’t as relatable nowadays. I was sitting in the back row, thinking, “Oh yes it is! You just have to have the stakes right.”

I got home, pulled out my Complete Works of Jane Austen, and read through Persuasion. And I was convinced I was right. If Captain Wentworth was another woman, and the year is 2007, the family is going to have objections. A family objecting to the person you fall in love with is a familiar story to many, many people. I did trade racism for classism in the case of Aunt Hayter. And instead of vague observations about Anne’s complexion in the original story, I used weight as a modern-day obsession over appearance.

Can you share insights into your process for developing the complex family dynamics and societal settings in the story?

The complex family dynamics are in Jane Austen’s original. Writing this story was to prove a point: that Persuasion is every bit as timeless as Pride and Prejudice, and to do that I wanted to change as little as possible. At the very beginning, establishing Sir Walter’s vain character, the original talks about a book called The Baronetage. I used Who’s Who in America. It worked exactly the same way.

The process was pretty simple. I had the road map right in front of me: I would read a chapter, think it over, cackle a little, and start typing. Sometimes it came very quickly. The story starts in New York, instead of England. In the original, the family has to “retrench” because of irresponsible spending. In my version, I set it in 2007 during the financial crisis of 2007-2008: a whole lot of financiers went down in flames; same economic crisis where a family has to figure out what they’re going to do.

Sometimes, for the settings, I had to think a little longer about what I was going to use as the modern American substitute. I’ve been to Rhode Island many times, it was easy to use that for Regis-Lyme. It took me a while to realize that, instead of finding an American naval base so that the story continued where it made sense to have a Navy captain, what I needed to do was change military branches. I lived in Dayton for 20 years, home from Wright-Patterson Air Force Base. Now I can go back to writing about what I know. Always write about what you know.

What challenges did you face in making Anne a relatable character to readers from various backgrounds?

I know not everyone relates to Anne. Heck, the recent TV movie of Persuasion that has gotten a ton of flack for being a poor adaptation – it looks to me like the writers could not relate to Anne, so they tried to turn her into a spunky Elizabeth Bennet kind of character. If you can’t relate to the characters, why are you making an adaptation of that story…?

I use weight as a way to talk about being unhappy – with life, with yourself. When Anne decides she doesn’t like what she sees in the mirror, and decides to start the fight to feel better about herself, it’s a battle everyone, from all sorts of backgrounds, faces. It’s never an easy battle. I’ve had people say the issue was triggering for them, and my book hit way, way too close to home. I was sorry to cause pain, but I am not sorry that I spoke the truth so accurately. And weight is just a metaphor (albeit one that so many of us in the post-Covid years can relate to). There are so many ways we can look in the mirror, and say, “I don’t like what I see. It’s time to change that.”

It’s part of the power of Jane Austen’s writing – she writes about the human condition. All sorts of backgrounds can relate to love, pain, screwy family dynamics, and choices you wish you could unchoose.

What is the next book that you are working on and when will it be available?

Sadly, at the moment my writing is a bit stalled. I have filed for divorce, I am simultaneously job hunting and getting ready to put a house on the market. I started no fewer than FIVE books in 2022, and did no fiction writing in 2023 (I teach historical dancing – including Regency dances, of course – and I have a 9-volume series on historical dance that is in search of a publisher). But I miss writing terribly, and I need to get back to it when my life settles down! There are characters beating on the inside of my head, demanding to get out.

Author Links: GoodReads | Twitter | Facebook | Website | YouTube | Amazon

Original source: https://literarytitan.com/2024/04/13/love-pain-screwy-family-dynamics/