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In the Review’s December 22, 2022, issue, architecture critic Martin Filler wrote about the “undulating lines, swirling excesses, and propulsive forms” that characterized the turn-of-the-century movement Art Nouveau. Admiring its “vulgar and on occasion blatantly sexy” qualities, he argued that “this novel aesthetic caught on so completely because it presented modernism garbed in the raiment […]
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