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Butterflies recur in Méret Oppenheim’s art: the many-eyed face at the top of her 1969 assemblage of painted canvas and carved wood, Hm-hm, its “nose” a shaped piece of bark; the tiny wings flitting at the edge of her ink and gouache drawing, Self-Portrait and Curriculum Vitae since the Year 60,000 BC (1966), the cross-section […]
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