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In the fall of 1959 the Museum of Modern Art erected three strange structures by Buckminster Fuller in its outdoor garden: a hundred-foot-long “octet truss space frame” of aluminum tubes, a “tensegrity mast” thirty-six feet high, and a grand “geodesic dome”—a three-quarters sphere assembled from greenish plastic triangles. Passersby on West 54th Street could see […]
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