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“Lygia Pape: Tecelares” at the Art Institute of Chicago is an endlessly surprising exhibition, lyrical, frisky, and stealthily profound—which is a lot to pack into a bunch of mostly black-and-white polygons and circles. An important figure in Brazilian postwar art, Pape, like her fellow travelers Lygia Clark and Hélio Oiticica, began her career dedicated to […]
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