Clear but Not Cold

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In May 1923 the German curator Gustav Friedrich Hartlaub wrote to a coterie of art dealers, collectors, and fellow curators with a concept for an exhibition to which, he hoped, they might lend some pictures. He wanted recent works that were “neither impressionistically relaxed nor expressionistically abstract” but “faithful to positive palpable reality.” A liberal […]

Original source: https://www.nybooks.com/daily/2022/08/25/clear-but-not-cold-new-objectivity/

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