Hyperlocal publishers launch bid to set up third newspaper

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Hyperlocal publishers launch bid to set up third newspaper

A pair of hyperlocal newspaper publishers are aiming to launch their third title in the coming months. Freelance journalist Kate White and Mark McGinlay, who works in book publishing, are raising funds for the launch of the Lewisham Ledger, which they hope to begin publishing in 2018. The pair already
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New Delhi World Book Fair 2018: The 8-day extravaganza begins from January 6

The New Delhi World Book Fair (NDWBF), which has emerged as one of the most significant events in the publishing world, will be held in the Capital during January 6-14 at Pragati Maidan. The fair, organised by National Book Trust, India, promotes titles, trade, co-publication titles and – above all – the
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Barrel Of Monkeys' THAT'S WEIRD, GRANDMA: Stories That Groove Leads March and April

Barrel of Monkeys, a Chicago-based arts education theater ensemble now in its 21st season, conducts creative writing workshops with 2nd through 7th grade students in underserved Chicago Public Schools and in its own after-school program. The ensemble of actor-educators then turns their stories
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Local author to speak at Thomaston Library

… grew older, the love of writing became stronger, having a couple poems published, getting an award for her short story in seventh grade, and wrote her first book at the age of 14. … She is in school hoping to get her master's degree in publishing and English and is wanting to be a publisher and editor.
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Amid Indo-Pak tension, lone Pakistani publisher to participate in New Delhi World Book Fair

New Delhi: Amid heightened tensions between India and Pakistan, a publisher from across the neighbouring country is likely to participate in the upcoming 45th New Delhi World Book Fair 2018 to be held in Delhi from 6 January. 44th edition of New Delhi World Book Fair. Image from Facebook/@All
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Author: Mike Nelson

Clean comedy — an oxymoron? Not when you're Jason Love, a homegrown stand-up comedian who regularly makes people laugh by avoiding the kind of language (and subject matter) that many in his line of work can't (and won't) live without. “The number one comment from audiences that I get is, 'It's
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